Gambrielle – Art That Leaps Hurdles

lavinaGambrielle of Gam Art Inc., stretches the boundaries of everyday life and art to the extreme. Gam is a devoted mother and wife, who is passionate about her work. Someone who, despite  all the hurdles in her life, has achieved greatness and it reflects in her work. Nothing will keep her from her passion, Art. Gambrielle is the kind of woman who exemplifies what we need in today’s art world. I could write a story about her struggles, her successes and her passion but I can’t do it quite like her, so I decided this story is best, if Gam tells you herself.  Her words and thoughts are as intense as her work.

What inspires you in your art?

The first would be pain, I’ve had quite the obstacles to overcome to get to where I am now. I wasn’t always admired or respected as I am today, those are things you have to make happen yourself… there are far too many obstacles to list them all so I will mention the ones that have had the most impact on me and my ways of being.

Growing up I was very poor, often teased, and socially awkward. I wasn’t the prettiest one in class and an allergic reaction to a medication I was given caused me to gain a lot of weight (which took me years to lose) in a short matter of time; therefore, I was bound to get teased for that. Socially I always felt ahead of the children/students around me; my mind races with billions of thoughts every second. I’ve been lucky enough to breathe, making me unlike the others. When I was young I was tested and found to have an I.Q. of 168, I have been drawing and painting since the age of two, I’ve always gravitated to the things that others didn’t.

Pain will do many things to one’s self, and all that person may or may not stand for… but pain isn’t always something to frown upon. I don’t believe anyone can understand the kind of pain I went through to bring forth my precious son, that is one journey that needs a book itself in order to understand the entire story; yet after all the pain my body had endured I can honestly say I’d do it all over again if it meant my child would be safe and intact. I have 8 herniated discs, and a spinal disease, along with over active thyroid disease. I am in agony all the time and I’m physically exhausted.  

My son, aside from my husband, has truly become my every reason to be.  They are my reason to go forth and never end the war between myself and the pain I deal with every moment I’m alive, thus making them the fire, that burning passion, that makes me who I am and keeps me creating. So in a nutshell I suppose there are many things that can inspire one into art; everyone has their own reasons and story but those were some key matters in my life that inspire me.

What does art mean to you? What impact do you see it has on our world?

In a sense everything is art, so art in a sense means everything. It all had to come from somewhere, whether it be a building, painting, animal, food, etc. All has been delicately molded into something, something we bring meaning into and ultimately the meaning we all live and die for. Our world is a work of art in itself, something we can all look at and apply our own views onto; yet it is only through a clear and unbalanced mind that we can fully see the things I’m saying. Far too many people spend their entire lives trying to find a balance that they fail to see, that they are all living and dying without finding the reason why they exist; along with it’s purpose, making them unable to see the true impact art really does have on this world. The strange thing about art and painting is that it lasts forever so in a way it makes you immortal, …infinite.

akWhat is your favorite painting and why?

My greatest work of art is my son, but since he doesnt consist of oil paints and consists of flesh and blood i suppose he isn’t in the running…but for my paintings, that’s a tough one. I love all of them for very different reasons but I’d have to say “Lavinia.” If you ever saw the movie Titus, there is a scene that touched my soul where Romulous and Reamus kidnapped Titus’s daughter, took her to a desolate place, stripped her down raped her. They cut off her hands, placed tree branch twigs where her hands once were, placed her on a tree stump surrounded by sharp thorn bushes barefoot, so she was stuck there and couldn’t get down; to make matters worse, they cut out her tongue to silence her from calling for help or saying their names. With no hands she couldnt write their names either. It was something about the helplessness along with the vulnerability that touched me enough to paint it. The manner in which she was left behind, to suffer and die. This whole act was done to her for something her father did, she was an innocent, she was beautiful; and they took everything from her. In my painting I made it so it looked like the sky was swallowing her whole, as in a way to take her away from her pain and the anger within the clouds evoked the emotions she was feeling….

Tell me about you, and the artist you want to be?

For starters, in my mind, one can only be called an artist when we expire, but as long as we breathe and bleed I’d say we are only painters and architects of thought. So the type of artist that I’d aspire to be is a dead one.

When all is said and done, you look back on your life, what do you want to say you accomplished? What do you absolutely not want to say you regret.

I’d like to leave a pretty nice dent in this world in one way or another, be it through my work or the things that I experienced. I regret nothing, why do something you’d regret in the long run? It’s both pointless and a waste of time, and time is something I do not like to waste.

What is your favorite medium, what mediums have you dabbled in as well?

Oils, they’re what I prefer the most over any medium, when I’m with my oils and brushes, I am home. Acrylics aren’t my thing but I’ve dabbled with them in the past. I’ve done air brushing, watercolors, charcoal, but like I said oils are my heart and home, in some odd way they truly complete me and my many thoughts.

Give me some feedback on how your art has touched others lives?

I sold my human condition painting to a soldier from Iraq. I really wasn’t interested in selling it, but when I saw how important it was for him to own it, and the connection that he felt he had with it, I knew I had to part with it.  I get emails very frequently from fans of my work that tell me I inspired them to paint and keep working.  They say after reading the story about my struggles and triumphs, if I let nothing stop me, then they have no excuse. Over the years I’ve become quite the role model and mentor, for girls and for quite a few as well. When I was a little girl I just enjoyed creating anything. I never knew that by people finding my work and in turn finding me, I’d be saving lives and inspired others to create as well. If my work just helped one person, I’m happy. I’m even more lucky that it has helped many….

Have you ever had your work shown in galleries, museums etc? If so which ones?

Quite a few local galleries, and solo exhibits even on a famous television show. I’ve also had my work published and printed in some pretty important places so that is pretty swell. My goal is the MET, Frick and the Louvre. Someday, someday.

What about art makes you happy the most?

The process, or all that is art, allows me to feel like there is a way and place for me to breathe; like I said earlier it’s home.

What do you learn from the past masters?

I’ve learned how to properly paint, from mixing paints, to the way I hold the brush, to the mental state I have to be in, in order to create. I’m completely self-taught in many ways, but most of the knowledge I gained is strictly from observation and independent studies.

Art is more than just creativity, it takes so much more…. What do you feel is the discipline in each picture you paint?

I believe that it truly comes from inside. It’s something you are born with; the discipline is giving birth to something that was only a picture in my mind at one point, a seed. To literally make it look alive the seed itself must bloom, something that that can only take place with proper care and attention down to the microscopic details. I’ve been told I have an extremely distinct style, that the eyes of my pieces follow you no matter where you go; they can see everything, including right through you.

When you paint a picture, describe the process from the birth of the idea to the finished product.

I’ll get an inspiration from the smallest thing or random idea and I’ll leave that thought in my head for months even years; sometimes I deal with it right away. Sometimes I sketch it, but most of the time I just freehand every thing on a blank canvas, or look at a small photo for reference. I have sat for up to 18 hours at a time with no breaks, and paint everyday for months on end, with a two haired brush and won’t stop until it’s perfect. My standards are pretty high for myself, I’ve been known to turpentine an entire canvas after months of work if I didn’t feel it was right. I take my work very seriously because it is an extension of me and all I have. When my work is complete I search for the perfect ornate frame and paint the frame to make my piece become one with the frame; because it is important in my mind for the frame not only compliment the art, but to be part of the art itself.

Please check out Gambrielle’s work at her MySpace page www.myspace.com/gambrielle and tell her The Expressionist sent ya!

Loren Marks – New York State Of Mind

About a month or so ago, we got an e mail from a unique artist who said “I would love an article about me, do you think I would fit.”  When I looked at their work, I was amazed, I said yea this is something we can definitely put in our magazine and right away set up an interview with her.  Loren’s work is bright and cheerful, they use all colors of the spectrum making for a very impressive piece of art.  Her paintings can be admired for their beauty and they also tell a story.  From what I see from her work it wonderfully defines her life in New York City, if you want to know what New York life is like, check out Loren’s work!

Describe yourself as an artist.

An excerpt from my Statement best describes:

Making art can lead you to a balanced ecstasy and it can often leave you feeling cursed. I’ve driven myself close to the vibrations of madness with the desire for truth, gripping the idea tighter until I feel myself choking. I then (again) realize the secret. Move from the INSIDE OUT rather than the outside in. This simple yet challenging, ongoing process of recognizing truth is where authenticity is grounded. It’s where the highest choice is made, the only way to make art and…the best way to live.

This way has been carried into the theme of my work.

SACRED ART is the title to my continuing series of paintings and sculptures. They are visions, epiphanies, prayers and objects of ritual which are intended to serve as tools to guide us to the freedom of instinct (the ultimate survival tool). Instinct is too often ignore and this, I believe, breeds sickness on all levels, be it mental, spiritual or physical. No matter who we are, where we come from or whether we realize it or not, we humans inherently desire the same things: to be awake – aware- whole.

What does art mean to you?  How important is it in today’s society?

In it’s depths – a necessary examination of self deception. Art shakes things up – makes us reflect – connects us to each other. We will always need that. Every generation of artists has this task to perform. However in this time in history, I think it’s imperative we connect to ourselves and each other even more.

What has been your hardest hurdle to overcome with your art?

Myself and balancing time between producing desired amount of work and doing the Life thing (bills, rent, chores, family/friends keeping the boyfriend happy etc..).
 
As an artist, sometimes they are diverse in mediums… What is your preferred medium and are there any other mediums you dabble in?

I always work in oils but I like to build things too. I’ve recently been getting more interested in combining the two along the theme of ritualistic tools and doing a series of dioramas. I really like dioramas.

What inspires you when you make a new painting?

It’s usually different ‘medicines’ that help me through something I’m dealing with at the time. Things that keep me going. They can vary anywhere from dreams, authors, animals and plants to death and deja vue’s. Charles Bukowski is one who seems to keep popping up with no sign of stopping.

What is your goal with your work?

My desire is to bust open lies, sanction the holy forgotten, bring the balance between dark and light and to go perhaps beyond there. By combining universal symbols that go with the grain of instinct, I aim to bring an objective view of ourselves and our world. In sharing my personal journey with the viewer, I hope to spark their desire to honor the self. We must give birth to the highest choice. This is when we are truly awake and can live our lives to the fullest. This idea is my wish and driving force.

Do you have any formal training in art, or was it something you just picked up?

I studied painting at Parsons School of Design in NYC for a short while until my money ran out – then continued to explore on my own.
 
What’s your greatest achievement in your art career?

See question #3! It’s amazing to see people stand in front of my work for a long time. Sometimes someone is confused at what they’re looking at but something holds them there…they want to figure it out. Some react intensely. I’ve seen people cry and even angry! It’s a trip to watch the different reactions.

What’s more important in your art, color or subject matter and why?

Both are equally important. Color and images are specifically chosen to convey meaning of artwork. Everything is symbolic. One won’t work to it’s capacity without the other.
 
Do you do any custom work for people?

Yes, I am available for commissions.
 
Do you have work on display at any museums or shows?  If so please let us know where.

My latest work will be showing in METROPOLIS APOCALYPSE at Supreme Trading in Williamsburg, Brooklyn October 9th – October 30th 2008
(see flyer)
 
How can our readers find you or contact you if they want.

While my personal website is being revamped my work can be viewed at:

http://www.myspace.com/lorenmarks
and
http://www.myartspace.com

Dr. Seuss Imaginarium Gallery

When you think of Dr. Seuss you are instantly reminded of those wonderfully rhymed children’s books that utilize words which don’t exist in modern day life.  You can picture that lovable “Cat In The Hat”, and the timeless Christmas cartoon, “How The Grinch Stole Christmas.”  These are drawings and stories we grew up with since the 1950s and they define generations of American youth.  Dr. Seuss is American as the American flag, and represents this country as a positive influence on children from toddler to the elementary years.

In St. Augustine, Florida, Cutter and Cutter, opened a gallery dedicated to the timeless Dr. Seuss called “Dr. Seuss The Imaginarium Gallery.” Inside, the walls are decked with many of his great creations from the “Cat In The Hat, Horton Hears A Who, The Grinch That Stole Christmas.” and many other great characters.  You will see some in storyboard form and you will see some paintings of the characters as if they posed for their portrait.  In some cases you will even see the beginning sketches of those great characters.  It’s a child’s paradise, and a reminiscing ground for the adults who remember those stories growing up.

What you may not know is that Dr. Seuss had his own set of prints and paintings he created for his own private use.  Some of them contain these great characters, but you will notice that most of them are a bit more grown up in nature, and may depict a more risque or sexually contented meaning depending on the eye of the viewer.  Some of us who browse the pictures may or may not get a hidden meaning. Dr. Seuss had one painting in particular that depicts what I am saying very well, which is ”Spawning Salmon up the Brook.”  

The picture depicts thousands of amoeba looking particles with round heads and small pointy tails, like a drop of water would look, swimming up this canal.  Obviously salmon don’t go up canals, they travel up brooks in smaller streams.  Salmon are fish, but these look more like the male side of the fruits of love.  Salmon do travel in groups, but not groups of thousands. Both male sperm and salmon they travel up stream, the sperms mission is to fertilize the egg; in the salmons case, to mate.  This picture is brilliantly done, but the hidden meaning inside can be as bold as the “I buried Paul” subliminal message embedded in the Beetles, “Strawberry Fields Forever” song.  Whats great about this is, it may be saying it, it might not.  Surely Paul McCartney wasn’t dead and buried as the “Strawberry Fields Forever” song implied, so that may not be the case here.  That is for you to decide, but you must see the picture to understand what I am saying.

On the clean note of this painting, it could pose and most likely does pose the the following idea. “Seuss purposefully asks questions that he intends the viewers to answer for themselves such as, “Are these Salmon having a final celebration before their journey to the cannery, or have they completely escaped this unsavory predicament.”  That’s what’s so great about art, its up for interpretation, there is no right or wrong answer to what you see or get out of the painting and this one by Seuss brings that ideal with art to the table.

I was highly impressed not only how the gallery presented his work, but the fact that I could see these original pieces by an artist I have adored since childhood in front of my very eyes.  I also love the fact I can purchase his work, and I learned something about the man behind the cat, that I never knew.

John Clark- His Art Tells A Story

Sometimes I surf the Internet looking for some great works of art that catch my eye.  One afternoon I happened upon an Etsy storefront selling these beautifully drawn women, in black and white ink, laid over old books.  I thought how interesting and fresh, I knew right then and there that John Clark would be worth interviewing for this magazine.  His work shows that art can be anything that inspires you, there are no limits to this vast field of expressionism. 

I love your work, its so unique with your paper.  What made you decide to use books and the print type?  How did that all come about?

I was reading an old mystery novel one day and became really inspired by the wording and imagery.  I started doodling directly on the page, trying to discover a style that would properly convey the drama and
feeling of noir.  I dabbled with heavy cross hatch, then a bit of stipple but settled on something resembling stencil graffiti. Actually, people often ask if I use stencils in my work,  I don’t.  I focus on creating high contrast and try to avoid unnecessary line work.  My work is drawn on pages from books printed in the 20s, the old paper soaks up the ink just right.

I see mostly women in your collection, do you draw men too?  What inspires you to draw women.

I’ve drawn men for custom requests but I’ll never draw one for fun.  I try to create art that is both aesthetically pleasing and compelling and I just find the subject of strong, assured, and certainly deadly
women to be my favorite.

When did you learn to draw?  Did you ever take formal lessons?

I’ve drawn pretty obsessively since I can remember.  When I was little I drew with my parents nearly every day and they’ve always been supportive.   I’ve taken a few classes at a local art institute when I was younger and had one inspirational art teacher in high school.

What artists, cartoonists, etc….. inspired you as an artist to draw if any?

Comic books where my biggest inspiration for a long time.  Still the idea of conveying a story with art remains in my work.  I think the only comic artist that still directly influences my work now is Frank
Miller.

Do you have any of your pictures on display anywhere but Etsy?

There’s a few random boutiques and galleries that stock my prints but my main distribution channel is Etsy.

What is your favorite piece and why?  What makes it so special to you?

It changes every couple of weeks but the piece “Spare me,”http://www.etsy.com/view_listing.php?listing_id=14281729 pretty much nails it for me.  The look, the lighting and feeling of it fit just right for me.  She’s on her way out the door and nothing you say will stop that.

It’s always nice to hear that I’ve surprised someone with my work; that it’s nothing like anything they’ve ever seen before.   Other people see my work and are unimpressed.  I’m okay with either reaction.  Art is completely subjective and I firmly believe in the saying, different strokes for different folks.  I just love that at least some people dig it.

When you draw, what do you think about?

My attention span is admittedly low so I am often multi-tasking.  At the very least I’ll be focused on music I’m listening to or even watching a movie while I draw.

Define your view of an artist, referencing yourself, what do you want people to get from your work?

I hope the viewer can find both beauty and intrigue in my work.  I want to convey part of the story but leave the rest to interpretation.

Any advice you can lend to other artists?

Stay true to creating what you love, ignore trends and focus on what makes you happy.

Artist Spotlight: Alan Sundal – Marine Artist

Alan Sundal is a remarkable man with a remarkable talent to capture his surroundings and turn it to art. His love is the ocean, his passion is art, and Alan combines the two flawlessly. Alan’s work consists mainly of lighthouses from around the world, historic shipwrecks, myriad moods, and spectacular underwater scenes with marine animals.

Alan’s preferred medium is oil paints, but he is not restricted to just oils. Alan has worked in pen and ink, colored ink, watercolors, pastels and charcoal drawings.

Believe it or not, Alan’s career as an artist started when he was in high school. He told a writer for his website, “I been drawing since second grade, and I am pretty much self taught, but in high school drew a drawing for a friend of his, that he needed for a class assignment. It went so well, that the word spread about my talent, and I found myself in business, selling my work at fifty cents a drawing.” I asked how he didn’t get caught, and Alan said “I made small variations to my work, with my style and technique, and the teacher was completely unaware of his work.

LighthouseIn 1957, when Alan was 17, he dropped out of school and joined the US Navy, and was stationed out of Norfolk, VA. From 1957 to 1961 Alan was assigned to a destroyer. He saw duty on the Mediterranean Sea, North Atlantic Ocean and the Caribbean. At the start of the Cold War, his Navy platoon, ASW, was playing ‘hop-scotch’ with Russian submarines.

After his discharge from the armed services, Alan still enjoyed the water and was an active sports/ scuba and professional diver doing underwater recovery. It was here that Alan saw the beautiful underwater life, and later painted what he saw.

Sundal, owned and operated his own art gallery in Gatlinburg, TN from 1982-1990. During this time he was making reproductions of his original work, in full color, and he limited the quantities to 750 prints on high quality rag paper. Alan signed and authenticated all his prints and originals in his collection.

Alan’s greatest achievement is his Sullivan Collection, a 45+ piece collection of original paintings that hangs in museums all across the North East; including the US Coast Guard Museums in New London, CT and Washington D.C. The Boston Heritage Museum , National Maritime Museum, Boston Harbor, and the Scituate Historical Society. The collection is comprised of historical maritime and life-saving rescues throughout the US Coast Guard’s history.

Today, Alan travels the US going from show to show selling prints and originals of his work. Alan’s work includes; Florida Lighthouses, East Coast Lighthouses, Great Lakes Lighthouses, Historical Shipwrecks, Naval Vessels, Oil Rigs, and Nautical Animals with Underwater Scenes. Alan still takes commissioned work, Contact us for his contact information.