Lauren Winans-No Boys Allowed

Welcome back to The Expressionist Magazine

Lauren Winans was born to entertain.  When this 19-year-old West Virginia native was just a tiny tot, she had already found her voice and love for music.  Hardly shy, Winans would delight in performing musical routines in front of her family, classmates and neighbors.  However, it wasn’t until she was fourteen that she started taking singing seriously. Growing up in a town called Buckhannon, Winans was always surrounded by a loving and supportive family.  Her parents, although not singers themselves, influenced Winans as a young child.  They often had music playing on the radio or by way of the television, exposing Winans mostly to the country music genre.  She also remembers finding her favorite movie during childhood.  Beauty and the Beast became a much loved and much watched movie for Winans. She adored Belle, the lead character, and often found herself singing all the beloved songs from the Disney classic.  ”It got me into singing,” states Winans.

Today, the beautiful and talented Winans not only sings, but writes her own songs.  ”I keep a musical diary.  If I want to remember something, I’ll write it down.  When it comes to songwriting, the idea comes first and then the melody,” she explains.  According to the performer, feeling the words is just as important as feeling the rhythm.  ”It’s hard to explain [the feeling] of how wonderful it is to hear your own song being played or to hear someone else singing it,” reveals Winans when asked what it is like to be a songwriter.  She goes on to say that it is especially true if you are writing your songs from experience.  In such a way to Winans, it is like unloading your feelings and emotions; getting your thoughts off your chest.  Her song, “About a Boy,” was inspired by a personal experience and when Winans was finished writing it, it made her cry.  No doubt, a very emotional song for the teenager to create, but it has since become one of her all time favorites.  To Winans, country music affects her more than other genres because it is about “real things in life,” making it more emotionally charged.  Seth Maynard, a fellow songwriter, helps Winans with some of her songs. Winans, who describes herself as “super girlie,” says it is a little funny to have a man like Maynard try to understand her thoughts and feelings and put them into words.

Winans, who says she associates most with country music and enjoys it considerably, does not want her music to only reflect that kind of genre.  Instead of being labeled as strictly a country music singer, she wants to be recognized more so as a multi-genre artist.  On Winan’s upcoming CD set to debut in the summer (she says she still has a few more songs to record), there will be a variety of musical styles reflected in her songs.  There will be something for everyone to enjoy, from country to pop.  The song, “No Boys Allowed,” is the only one not written or co-written by Winans on her CD.  However, she felt strongly connected to the song, and believed in it.  Winans decided then to include it.  It’s a song that Winans could relate to and understand; something you would hear anytime and anyday on a playground.  Winans says she thinks about a group of girls playing happily, creating their own private world where no boys are allowed.  The song is also featured in Winan’s debut video.

And we all know that Winans can sing and write, but can she play an instrument?  ”I play the guitar,” states the talented young entertainer.  Even though she can play the guitar, Winans confides that her studio musicians usually are the ones who provide most of the music.  Winans did reveal that she will be playing the guitar in an upcoming song, and that in all of her original songs, it is just her singing.  Seth Maynard, who owns the studio, plays all kinds of instruments, minus the drums.  So, there are times too when Maynard will take over to provide the beat.

So where does Winans see herself five years from now?  It was an easy answer for the singer/songwriter.  ”A single on the Top 10.  That would be huge!”  And in ten years?  ”I want to be a household name.”  With the way this 19-year-old is performing now, that dream will easily become a reality, and possibly a whole lot sooner than in ten years.

It is apparent that Winans enjoys entertaining her fans, so we couldn’t help but ask what has been her best experience to date singing in public.  With a slight giggle, Winans recalls a time she performed in Nashville at a club.  She had just finished her set, exited off the stage and got approached by a very tipsy bar patron.  The man had been calling her name, and motioned for her to join him.  Winans walked over and was greeted by the man who proceeded to compliment her.  ”You’re fantastic!  You really touched me.  Please don’t leave.  I want you to sing me a song.”  Winans admits that she was honored, but a little unnerved.  She did continue to talk to the man and soon found out that he played hockey.  It wasn’t until later on that she realized who this hockey player really was.  Winans says she was watching the Team Canada hockey team defeat the U.S. in the winter Olympics.  The winning goal in the nail biting game was made by her number one fan.

For more information on Lauren Winans, please go to her website:  www.laurenwinans.com

To Indie Or Not To Indie… That Is The Question

The music industry today is far from what it was a few years ago when the Doo Wop bands and hit singles artists of the 60s, 70s and 80s were making names for themselves. The days of lucrative music contracts from top recording companies have all been put out to pasture, unless you’re one of the extreme lucky ones.

The computer is mostly to blame for this debacle with P2P file sharing and illegal music downloads which really hit the pocket books of these recording companies, forcing them to extend contracts on the talented artists of today unless it’s a for sure thing. In order to screw over the music industry and get something for nothing, the P2P really didn’t hurt the big wigs; they still make money on the distribution. Instead, whom we hurt most were the artists.

By not having lucrative contracts, it forces the artist to be what the industry calls an “indie” artist or independent artist. This indie artist can still produce their music and have CDs and digital downloads except they must fork over the millions it takes to make a successful career. Most bands are not endowed with bottomless pockets; rather they start out as garage bands. These artists, unless they have great knowledge of the music industry, are doomed to either stay at the status quo of the band never to be more than a garage or bar band, or excel in the industry. They are at the mercy of a very corrupt business.

The P2P is not totally to blame for the contracts not being dealt. The record industry itself has played a small part in the problem by not taking a good strong hold over the digital download revolution. Many people today prefer digital downloads to conventional CDs and tapes. The reason is simple; digitally you can store thousands of songs on your computer and carry them all around in this neat little box that is the size of a business card at most. The MP3 player was an answer to the clutter and damaged tapes and CDs that angered many music listeners. The digital downloads are great but they don’t make a lot of money for the record industry fast; at small $0.99 downloads, it would take a long time to reach the amount of money they would get off CDs. Yes, the industry does allow full CD downloads of any album along with singles but many people don’t want all the songs so that choice doesn’t get utilized like the singles do.

Disney, on the other hand, has found a way to stronghold the industry. For instance, lets take the Little Mermaid soundtrack for example. Ashley Tisdale did a remake of the famed song “Kiss The Girl” on the re-release of the classic movie. The soundtrack included that version, along with the original version by Samuel E. Wright. If you go to iTunes to purchase the song, you will see that only Samuel E. Wright’s version is available for singles download. If you want Ashley Tisdale’s version, you must purchase the entire soundtrack for $19.99. If the rest of the record industry did this they wouldn’t lose as much money on the digital download aspect and, in turn, could sign more people to full contracts.

Now, full contracts are nice and all but are they really worth it? When a record company purchases your contract, they own all your songs and can force you to be here or be there on a tour, of which you have no say. They can force you to produce a certain amount of songs or CDs in a short period of time which can actually cause lackluster songs that don’t make sense or don’t have feeling because of the “must get it done” rush. They may also require at least one #1 radio or Billboard chart song in the duration of the contract or they can cancel you keeping the rights to your music. Contracts almost destroyed Hall of Fame artist REM in the past.

The “indie” artist on the other hand has a lot more freedom. If you decide enough is enough, in most cases you own the royalties and full rights to your work. You have the choice to go on any tour you wish, when you want, as long as it’s in your budget. You can take the time to write quality songs and record them passionately, which in turn, could roll out a #1 hit or even a Grammy. The only downside is you need money to do this.

So what should an artist do? How do they stay away from the shysters of the industry and maximize their investment? Simple. Find a reputable manager who can help you all the way through. You want to find someone who keeps close records on radio hits, sales and your budget. Most artists have no idea what the music industry is about, what’s fair and right; therefore, teaming up with a veteran who knows the ropes can save you from getting ripped off, and make your career prosperous.

A Helsinki Vampire: Jyrki 69 Interviewed

Do you ever wonder about musicians and what secrets lay behind those closed doors after they’ve departed the stage? Well now the time has arisen and the secrets of the Vampire realm have been foretold and the one and only Helsinki Vampires are back from the dead, but not just back, back in blood. Frontman Jyrki69 spoke to me about The 69 Eyes U.S. return along with the undead truth about the current album and his past creations.

Welcome back to the U.S., how does it feel to be back in California?

Jyrki 69: It’s awesome, Hollywood in general we consider this our second home, this year we spent over 3 months during the spring time recording our newest album so it’s great to finally be able to come back and play a show. It’s never frustrated to hang out in Hollywood and to have fans recognize you and come up and ask you “What are you doing here – why aren’t you playing a show?” at that time there was no way to do anything but now it’s the time and we’re now in Hollywood, so The 69 Eyes and are back in blood!

“Back in Blood,” came out last month and it’s also your tenth to date, how does that make you feel – do you think your music has grown since when you first started?

Jyrki 69: Actually you’re mistaken there is a little confusion everywhere it’s actually our ninth album, I’m excited to do the tenth album when the time arrives, and we have of course several compilations available but this is our nine studio album. Yes and no it’s the same sources of inspiration remains, the same rock n’ roll life remains, on the other hand of course

We’re better song writers, and I myself have written better lyrics, once in a while you make songs that last a little bit longer than others, like most of the songs within our set list, there are the ones we consider “our classics”. There are so many songs that could be on the next ten year compilation, with the way we’ve grown.

Can you briefly tell us about the whole concept for “Dead Girls Are Easy?”

Jyrki 69: It was pure fun with Bam Margera, it was long lost Halloween weekend, the whole idea the name of the song, I just liked the title when I put together everything it represents the dead girls, these gothic girls who want to be dead and want to be a part of the undead and want to become Vampire girls. The story line is this classic old school 80s theme with this nerdy guy working and something strange happens to him when these Vampire girls come into his life. This video is much like the videos from the 80s – having that rockin style and positive atmosphere – all the videos of today have changed, with the bombs, bugs, a very depressing imagines, I’m a fan of the 80s videos so this video is just like those.

What was it like playing on Carson Daily back in 2006 – I’m not sure if you remember me, at that show but I was the girl in the audience who had waved to you, I had wanted to be on the bottom near the stage but couldn’t get down there.

Jyrki 69: That was great that was one of those classic 69 Eyes moments that we were able to do that show, and hopefully we can return to those shows, it’s been an honor to be involved with these shows, (Carson Daily) and to have The End Records (US Label) who have done great promotion for us, so I wouldn’t be surprised if you’re watching T.V. that you see us performing, we’ll be able to set something up pretty soon and also the next time you wave I will know it is you.

In my opinion I’ve always pictured you guys doing a U.S. tour with H.I.M. would you ever be able to make that happen – I know you guys toured with Cradle of Filth back in 06.

Jyrki 69: That is something the fans are always asking, but I don’t think the bands are really excited about the idea. If you haven’t noticed the Finnish bands don’t really tour together and I don’t know why but that is something that we should considering doing because the fans keep asking about it. I haven’t heard any rumors so don’t think it’s going to happen anytime soon. As far as I understand the H.I.M. guys are recording their new album, and there are a lot of Finnish bands around here in Hollywood recording their new albums, so every rocker act is here in Hollywood right now and are from Finland so a very busy period for everybody right now.

What can you tell us about your comic book “Zombie Love: Vampires, Ghosts and the 69 Eyes”?

Jyrki 69: It’s just a compilation of my old stuff that I drew in the 80s as a teenager, during the night, most teens go out and get drunk for the first time and meet the opposite sex, I was this guy that spent my nights at home watching horror movies and listening to strange rock n’ roll music, like the real nerds Somehow these comics survived and the characters pretty much looks like our band and dressed in rocker appeal and the girls are drama queens so it’s not so far away from the world of the 69 Eyes. So I drew them and they still appear interesting so I put it altogether and that’s the book Zombie Love, and after 25 years, the kids still find this comic book amazing and it’s available at all of our shows so pick up a copy.

How about “Route 69,” what can be said about that?

Jyrki 69: That’s a photograph book it’s done by this photographer named Ville Juurikkala, the guy who’s been taking pictures of a majority of Finnish rock bands over the years, H.I.M. Nightwish, and us, and back in 06 he traveled with us and took pictures and put out the book and it has pictures of Japan, Finland but mainly it’s about when we first traveled the states and how everything was different, a very big and exciting experience. It’s a great book filled with great memories.

Your known around the world as the “Helsinki Vampires”, do you consider yourself a Vampire?

Jyrki 69: Well some strange reason I don’t age and I draw people’s attention to me I drive girls crazy especially those that know me. I like to hang out with sunglasses after dark as far as that goes I might be a Vampire but I won’t tell if I’m one or not. But don’t try old school tricks on me like holy water or garlic that won’t kill me. If you really want to destroy me, play me some anti-rock music, Beatles, Faith No More, Red Hot Chili Peppers, if you really want to throw me out of the party and kill me just throw on some bad music that should do it.

Anything else you’d like to add?

Jyrki 69: I hope people will have the chance to check out Back in Blood, because I think it’s our best record The 69 Eyes have done and we’re really proud of it. The theme involves Vampires, and the sound is awesome, and it’s interesting that The 69 Eyes have worked with American artists and producers, and a director for the video, it’s just something we’ve always wanted to do. Now that we’ve had the chance to do it, it’s become a great album but not just from The 69 Eyes but in general in the year 2009.

By: Natalie Perez

Internet DJ Sets Sights High

“Internet is becoming more and more utilized by people, especially in the workforce; you can use it for so many different things. That’s why I chose the Internet, because workers can listen to the radio from their computers (and now iPhones),” according to Tammy Martina who is taking up the cyber airwaves as opposed to more traditional means.

Tammy hit the “bull’s eye” on the Internet radio market, and she enters at ground zero as this market starts to reach new heights. She will be one of the forerunners that others will have to set the bar to as Internet radio rises.

Originally a marketer with the record label Cannon Music Group, Tammy ran social networks for the bands they’d sign.  Working for artists Mista Freezy and Lance, she stumbled across blogtalkradio.com, where she currently DJs, in her pursuit to gain exposure for the bands.  Realizing how powerful this can be, and how much fun it is, she jumped right in without looking back.

One year later, she has managed to expand the station which required taking on another DJ.  Tammy states she was talking with Lindsay Paige one day, and mentioned what she did.  Linsday grew very interested and excited about her career.  Tammy clicked right then and there and knew it would be unreckoned with force.  This month, Lindsay got her chance to DJ for the first time and now adds her own charisma and style to the radio station for her listeners.

When Tammy started the radio, she wasn’t concerned about any specific genre of music she was going to play.  Instead, she wanted to play it all; to please everyone’s tastes.  However, the station started out with country and rap/hip-hop.  Now, as it grows and evolves, you will find more rock and alternative sounds coming across the station.

Another great feature for the radio station is Tammy’s ability and willingness to interview rising stars and professionals in the music industry.  She will interview local and national celebrities, comedians, and whoever else wants a chance to talk on her station.  The ability to talk on any radio station, regardless of your field, gives you the ability to gain exposure and let people get to know you and who you are.  There is nothing more valuable than exposure for any of the arts.

Today, her line-up of interviews have been quite impressive.  She has spoken with Kaotik, Freddie Way, Kevin M. Thomas, Mike West, Mista Freezy, Tammy Bryant (song writer) and more, just to name a few.  Her goal is to start incorporating more platinum and Grammy winning artists from the different genres in the year ahead.

Forever searching for great artists to interview and promote, Tammy is always willing to play new songs and take interview requests.  She asks that if you are a band and want some exposure, to send her your music for consideration.  Who knows, you may be chosen and put on rotation, and since Tammy’s station is on the Internet, it can be heard worldwide.

Tammy doesn’t charge to be on her radio station or request compensation to listen, it’s 100% free.  Although, she would love for businesses to sponsor her station; another aspect she is focusing on for the remainder of the year and years to come.

We think you’ll find this Alabama native’s radio refeshing, and we feel that you will love her amazing personality and her chemistry with the radio.  One listen and you will see why she was destined to be on the air (cyber air) waves.

To listen to her station, including her interviews, simply go to http://www.blogtalkradio.com/TammyMartina and click on the little microphone with waves coming off to listen to it live.

Frank Macek – Bringing It All Together

To put paint to canvas, it takes a great bit of knowledge, even though it seems simple.  Really it’s the talent of the artist that makes it look simple.  When an artist takes the brush and mixes the paint, they must know exactly what colors work to create another because a mixture of the wrong colors just won’t give the true effect they want.  The same goes for music as well, something Frank Macek of Mongrol Records knows all too well.

As a producer Macek understands exactly how a good mix works, and the beauty it produces when done correctly.  Mixing the song is just like mixing paint for Macek, only the final product is art for the heart and the auditory senses.  When he mixes songs, Macek takes what works and makes it perfect.  His brother Bill will tell you that Frank Macek is a perfectionist with his work and has no problem scrapping something and starting over if it gets a better final product.

Macek is no stranger to music, especially on the production end. He is a Grammy nominated producer, writer, engineer and programmer.  He has a resume that would make many envious, some of those names are Grammy award winner India Arie, Ice Cube – Kill At Will, Death Certificate, Predator, King Tee-The Triflin’ Album, DJ Pooh- Del The Funky Homosapien, Yo Yo – Black Pearl, Quincy Jones III- The Fresh Prince Of Bel Aire – Tevin Campbell – Strawberry Letter 23 (REMIX), 2 Pac – Strictly For My Niggaz.  A resume with those names and albums are certainly impressive.

Today, Frank Macek’s main work is with his young nephews, Casey and Riley of Holes And Hearts.  Macek signed them to his record label, Mongrol Records and painstakingly molded them into the success they are today along with his brother Bill, Casey and Riley’s father.  With his leadership, connections and attention to detail, Macek helped the boys release a sure fire hit, “Holes And Hearts”  which was their debut CD.  He helped them receive endorsements from some incredible guitar manufacturers, and he had a hand in making his nephews one of the official spokes bands for “Rock Against Homelessness.”

Mongrol records is now moving to the Los Angeles area where he hopes to obtain some new talents that he can mold and shape into future successes.  This move is also to help Holes and Hearts in the entertainment capital of the world, where resources are at his fingertips.

This new label, combined with the proven success of Macek’s past will surely provide an incredible outlet for any rising bands of tomorrow. To obtain his services, simply visit his MySpace page www.myspace.com/mongrolrecords

Phil Spector Found Guilty

Forty plus years ago, radio had one of its greatest producers of pop and rock in the history of American music.  Phil Spector’s name was tagged to great hits like “Be My Baby” by the legendary Ronettes, “You Lost That Loving Feeling” by the Righteous Brothers, and just about every song the Crystals sang such as “The Do Ron Ron.”

Despite his success, Phil Spector had a vicious side, especially when he drank.  His estranged wife Ronnie Spector of the Ronettes left him because of his binge drinking and violent past.  Ike and Tina Turner even had their rounds with Mr. Spector.  Even though he was a genius in the studio, Spector was a fierce businessman that many didn’t want to tangle with; it just wasn’t worth the hassle.

In 2003, the hall of fame producer was at a bar where he picked up Lana Clarkson; he took her home to his mansion where she allegedly committed suicide.  Spector’s testimony was that she asked to see his gun, and upon showing it to her, she ate the barrel and pulled the trigger killing herself in his home.

The prosecutor had a different story.  With a parade of witnesses, he told a tale of Spector’s drunken temperament.  The prosecutor claimed that if someone wanted to leave Spector’s mansion and he wasn’t ready to let them go, he would hold the person at gunpoint.

In the first trial, the jury was deadlocked and deemed a mistrial.  Spector got off easy, but was then retried this year in a lesser sentence of second degree murder.  The first trial was indeed for first degree murder which stood to send Spector to death row.

On Monday, April 13, 2009, a jury convicted Mr. Spector of second degree murder of Lana Clarkson.  This sentence could land this hall of fame producer in jail for a minimum of eighteen years; fifteen years for second degree murder and three additional years for using a gun.  It took 30 hours for the jury to come up with their verdict, unlike the week for the first trial.  Spector showed no emotion as the verdict was read, but it’s been said his lawyers would sedate him due to his aggressive nature.

The judge remanded Spector to jail instantly, but his lawyers tried hard to convince the judge to let him go free on bail until the sentencing on May 30^th.  The judge denied the claim and Mr. Spector is sitting in a California prison tonight.

Phil Spector will be 88 when he’s eligible for parole; he has to serve a minimum of eighteen years to life.  He probably will never see the light of day again, and women everywhere can rest easier knowing this crazed maniac is behind bars.

The 80s Music- Foundation For Today

Each decade of music defined their own sound differently. They each brought out something new that the world had never heard before, and took some of the success of the past and evolved it to fit today. These rules have never failed and can present no exception. Though, while each generation is different, none stands out so boldly than the 80s.

The 80s had an impact unlike any other music had before. In 1984, the world got a taste of MTV. This television network actually allowed people to live the music, not just listen. Sure, throughout the 50s, 60s and 70s we had “American Bandstand,” “The Ed Sullivan Show” and “Solid Gold,” which allowed you to see the bands play live, but it came on only once a week.  MTV was on 24 hours a day, seven days a week. It not only incorporated the music and live shows, but it showed a different artistic view to these videos. MTV took music to a whole new level, and showed how this industry was revolutionizing with the times.

The 80s gave us a huge mix of music. It was the time when Rock ‘n’ Roll split to become rock and heavy metal. Rock was more your typical sound like Phil Collins, Billy Joel, and Michael Jackson which stuck to the typical sounds of 60s and 70s rock. Heavy Metal is a more intense rock where you would see wild hair; hence the name “hair bands.” You would see these rockers in wild outfits, trashing their guitars on stage and incorporating wild pyrotechnics. Bands that fit this genre would be Twisted Sister, Poison, Warrant, Bon Jovi, Def Leopard, Van Halen and similar bands.

The rock version, even though it stuck to more of the 60s and 70s sounds, had their own unique flare in itself. It wasn’t uncommon to see some of these guys dressed in drag with flamboyant make-up. This was typical with Boy George, and Dead Or Alive. It brought out some of the greatest hard rocking women in history like Pat Benatar, The Bangles, Joan Jett, Heart and other powerful voiced, yet sexy women of the time. While talking about the rock sound, we can’t forget the strange sounds that swept the “electronic” age of America.

The 80s also brought into play some great names like “The Material Girl” Madonna, and Cyndi Lauper who helped define the “punk” fashion that made Soleil Moon Frye, better known as Punky Brewster, a huge success from 1984 to 1987. Punk was a fashion that completely branded the 80s, and is still talked about today.

The 80s gave birth to some of the most unforgettable music videos. For one, probably the most expensive video created in the 80s was Paula Abdul’s “Opposites Attract,” where she sang side by side with an animated cat. Michael Jackson came out with small movie videos. One of Jackson’s most well known was “Thriller,” where he teamed up with Vincent Price to make a well choreographed, pop horror flick. We can’t forget Madonna’s cone bra that shocked the world and when she had her music video banned in countries across the world. Another stand out video was “Land Of Confusion” by Genesis. This music video was a mix of live Genesis concert footage and some amazing puppets. Last but not least, there was Dire Straights’ amazing video that became an icon video of MTV, “Money For Nothing.” This video looked like a walking 3D video game, and at the time, the graphics were state of the art.

Today, most of these bands and videos have disappeared, as sad as it is. Some of the big 80s stars like Madonna, Phil Collins, Heart and others still perform, while some are now just dust in the wind. The years of these great videos are over; they took an evolutionary turn as well. MTV is now more news and reality shows, while music videos have taken a back seat. However, with great sites such as YouTube and the Internet, general artists can publish their music videos right on their own sites and they don’t need these channels anymore. YouTube actually has many of these great old music videos that designed a whole generation.

The 80s have never really died, instead they have evolved into some of the great music we have today. Sure, it may not be the same as it was back then, but if you listen hard you can still hear some of the influence the 80s had in our music today. The 80s music is so unique that it’s definitely worth looking into and learning more about.

Day The Music Died – 2/3/59

February 3, 1959 will forever be known as, “the day the music died.”  On a blistering cold day, right after a gig in Iowa, three very famous musicians boarded a private jet and attempted to make it to their next gig in Minnesota.  Unfortunately, they never made it because at 1:00 AM in Clear Lake, Iowa the plane crashed killing everyone aboard.

This tour was called “The Winter Dance Party,” which covered 24 stops in three weeks.  It was a great tour, but the travel was tough.  These small planes were the fastest and most logical way to make your gig back then.  The flaw was that it was during the winter, and we all know what harsh weather the Midwest Plains get during this time.  The second flaw was that planes were still new to passenger travel and they didn’t have deicing sensors like we do today.  These two factors played together, causing this horrific crash.  As the musicians flew across the Midwest Plains, the wings of the plane iced up causing too much weight for the prop plane, forcing it to plummet to the ground.

On this plane were musicians: Buddy Holly, better known for songs such as “Rave On,” “Everyday,” “That’ll Be The Day” and “Peggy Sue.” Also on board was Ritchie Valens known for hits such as “Oh Donna,” “La Bamba,” and “Come On, Let’s Go.” The third musician on the plane that fateful trip was the famous J.P “The Big Bopper” Richardson, known for his hits “Chantilly Lace” and “Purple People Eaters.”  Even if you were not born in that era, these songs probably have touched your life in some way.  Also to die on that plane was the pilot.

This crash actually could have been prevented.  Buddy Holly was known to be completely intolerant and had no patience.  He got very upset with his tour bus and convinced his Crickets (Waylon Jennings and Tony Allsup) to charter this flight after the show, which cost $36.00 a person.  Waylon Jennings (“My Maria”) gave up his seat to J.P Richardson who was ailing with the flu, and the other Cricket (Allsup) gave  his seat to an eager Ritchie Valens, who had never flown before.  Not a good first flight for Valens as he boarded a doomed flight to Minnesota. 

These men led the way for Rock ‘n’ Roll, basically some of the founding fathers if you will.  In 1959 there wasn’t a sock hop or a malt shop without some of these songs blasting out of the jukebox.  Their deaths forever changed Rock ‘n’ Roll, everyone grieved, and the sound was never quite the same.  We can only imagine what songs these men would have produced along the way, had they not perished that tragic Feb 3^rd morning.  It makes you wonder if rock would still sound the same as it does today? 

The plane was named “American Pie.” It killed three men as American as apple pie, which is ironic in so many ways. It led to Don McLean’s very popular song, “American Pie,” written and sung by him in 1971 about the crash that devastated the music industry forever.

This year marks the 50^th anniversary of the crash.  It’s hard to believe that so much time has passed, yet their songs are forever timeless and still play on radio stations today.  Each year people gather on the crash site for a vigil to remember these great legends.  

Illegal Music Downloads Hurt America

In the early 21st century, the revolutionary discovery of the Internet in its first 10 years, had already brought greatness to businesses, gaming and information.  However, with that popularity growing and MP3s on the rise, it led the way to a program called P2P.  Simply put, it stands for (Peer to Peer) which is a form of torrent that allows you to share media files from computer to computer without paying.

In the late 90s and early 2000, Napster was the leading P2P client out there. Overnight, it became the biggest rage among teens and young adults because it gave them a way to get their favorite songs without having to buy them.  It didn’t last though, as the federal courts came in and shut this company down. It was easy to do because they did not constantly transfer their routing.  By 2005, Napster was pretty much out of business but they did revamp and come back with paid downloads.  That time iTunes was the rage with their iPods, but also emerging was another company. This company, called Limewire, would test illegal downloading limits by offering another P2P. 

Limewire gets around the government because they put out a disclaimer saying that you agree not to download illegal content, however, their program picks it up.  Though if you are caught, you did it to yourself and it indemnifies them of all wrong doing. Nevertheless, it is still wrong. Not only is it wrong, but it opens the world up to your computer by making you vulnerable to viruses and hackers.

So, who does illegal downloads hurt really?  The artist would be the top candidate that would come to mind first. Then again, who cares because they are filthy rich anyway.  What’s a measly $0.99 to them?  True, probably not much if it was only one person in the world doing it, but that’s not the case.  There are millions downloading free songs and movies every single day. For instance, let’s take a song from Fergie called “Big Girls Don’t Cry.”  Say 2.5 million people illegally downloaded that song one week.  That adds up to 2.5 million dollars, then multiply that by 52 weeks and look at the money lost.

The illegal download doesn’t just hurt the artist.  To understand where that $0.99 gets spread to, check out the list of people we compiled that help the artist get famous, and without that money, the artist cannot pay these people.

• Record label
• CD jewel case manufacturer
• CD jacket cover designer
• Photographer
• Lawyers for the artist
• Promotional companies
• Truck drivers delivering the merchandise to the stores
• Whole sellers
• Artist whose music you are stealing
• Band manager & staff
• CD manufacturer & staff
• Stores where you purchase your music at

That’s quite a list and when you think about it, where does most of the money go to?  Right, the companies that our families and friends most likely work for.  By downloading that song for free, you take away business from the very people that need it the most.  Without these artists, look at all the jobs that they create to promote and sell their music.  It doesn’t just hurt the artist, it trickles down into a vicious cycle, eventually hurting the people making minimum wage selling the product.  Who knows, your illegal downloading could get you laid off of your very job.

In life everything has a consequence; everything you do affects someone in some way.  Economics is no different, and not spending the money hurts these people. We have little to no choice but to raise the price to make up for the lost revenue, in turn making it more expensive for you.  So who does it hurt really? Well, when it comes down to it, it hurts you.  Not to mention it’s a federal crime because it infringes on the US Copyright to that song, which is punishable by fines up to $100,000.00 and up to 5 years in a federal prison.  Is it worth it?

It is so much smarter and easier to just buy the song for $0.99 from the artists themselves, iTunes, or any major download distributor.  It helps our economy, it keeps you out of prison and most of all, it keeps the cost down for all of us.

Reverbnation- A Powerful Tool For Musicians

Reverbnation.com is a powerful web tool that not only will help your fans discover your music, but will also help you cut down on the time updating your sites.  As a musician or artist, there is nothing more precious than the time and ease of doing things to maximize your time performing.

Reverbnation.com offers musicians a site similar to MySpace.  You can add friends, you have your own custom MP3 player that can accommodate 21 songs, and you can send bulletins and blogs just like MySpace. Reverbnation.com, however, takes it a bit further. This revolutionary site gives you widgets that can be embedded into your MySpace, Facebook, or regular website and updated on each site through Reverbnation.com’s portal.  How cool is that?

Some of the more powerful widgets are:  Video Box, E-Mail/Newsletter Sign Up and a Tour Box.  Now, most of your sites have these features.  For example, MySpace has their own tour section, MP3 Player with download box, and a video section. So then, why use Reverbnation?  Let me go into some detail of what each widget will do and then let you decide.

Video Widget:  To use the video widget, all you need to do is upload the song the music video corresponds to.  Then, it gives you a place to put the URL of your YouTube Video the song corresponds to.  Once you have this link in the player, you can create the widget.  The video widget takes those videos and puts them all together in this nice player and below the main video screen, is the list of videos you uploaded so people can see all your videos in one place.  It’s compact and easy for your viewers to use.  To delete a video, just delete the link in the player and to add a video, just upload the song or add the video link to a song that’s already there.  You never have to update the widget.

Mailing List Widget:  Here is another really nice feature on Reverbnation.  A widget that allows your listeners to sign up for special e-mails from you.  I don’t know of any band that wouldn’t want that, and to have this feature work with your web site can be very costly.  All you have to do is update your mailing list option in your account, grab the widget and insert it on the site you want.  To e-mail or manage the list, sign into your Reverbnation.com account and e-mail people.

MP3 Player:  The MP3 player works like any other MP3 player, but it has the option to send people to your stores so they can download or purchase your songs.  This one, unlike MySpace’s MP3 player, allows you to go to your iTunes, Amazon or your own personal web site store.

Tour Widget:  This tool is probably one of the coolest I have seen.  All you need to do is go to your Reverbnation.com account, look for the shows tab and then inset a show you are playing.  When you add the name of the place, if someone has played there, it will automatically add the address and name.  You add the time and date and special notes.  You can even include a purchase ticket link or how to get tickets.  Then, embed the widget on any site you want.  To update all the sites in unison, update your Reverbnation.com account.  This widget also gives your fans a map to see how the tour will look from the first stop all the way  to the last.

Reverbnation.com also allows you to create a Facebook page for your band.  Have you ever tried to find the way to do this?  It’s a lot of fun and is almost like finding Waldo.  This site does it automatically for you.  If you have Twitter, collaborate it with your Reverbnation.com profile so it updates your status and it will do the same for your new Facebook page.

After seeing bands use this feature and love it, I can’t see why any band wouldn’t utilize its power and ease.  It is free, so try it now. There are no 30 day trials and will never cost you a dime.  You have nothing to lose!

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